Carnatic Music | |
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Concepts | |
Sruti • Swara • Raga • Tala • Melakarta • Asampurna Melakarta |
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Compositions | |
Varnam • Kriti • Geetham • Swarajati • Ragam Thanam Pallavi • Thillana |
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Instruments | |
melody: Vocals • Saraswati veena • Venu • Violin • Chitra veena • Nadaswaram • Mandolin rhythm: Mridangam • Ghatam • Morsing • Kanjira • Thavil drone: Tambura • Shruti box |
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Composers | |
The venu (Sanskrit: वेणु; veṇu) is a bamboo transverse flute used in the Carnatic music of South India. Although it is often called Carnatic flute or simply flute in English, venu is the instrument's ancient Sanskrit name. It is also called by various other names in the languages of South India, including pullankuzhal (புல்லாங்குழல்) in Tamil and also in പുല്ലാങ്കുഴല് (Malayalam), and ಕೊಳಲು (koLalu) in Kannada. It is known as pillana grovi (పిల్లన గ్రోవి) in Telugu (Andhra Pradesh). It is called Bansuri in Marathi (Maharashtra), and is used extensively for Hindustani classical music. The flute (Venu) finds great mention in indian mythology and folklore having been listed as amongst the 3 Original Instruments meant for music along with the Veena and Mridangam ( Veena, Venu, Mridanga trinity). However it is strange that there is no name mentioned for the typical flute that the Lord plays. One of the oldest musical instruments of India, the instrument is a keyless transverse flute made of bamboo. The fingers of both hands are used to close and open the holes. It has a blowing hole near one end, and eight closely placed finger holes. The instrument comes in various sizes.
The venu is associated with the Hindu god Krishna, who is often depicted playing it. This kind of flute is mainly used in South India.The Lord Vishnu is portrayed as Sri Venugopala - playing the flute of Creation.
The venu is capable of producing two and half octaves with the help of overblowing and cross fingering. The flute is like the human voice in that it is monophonous and also has the two and half octaves sound reproduction. Sliding the fingers on and off the holes allows for a great degree of ornamentation, important in the performance of raga-based music.
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